St. Thomas of Canterbury was founded in 1916 to serve the needs of Catholics in Uptown. As the area evolved, the mission of the church grew to serve the numerous immigrant populations of the neighborhood, as well as the elderly and poor who lived there.
St. Thomas of Canterbury is perhaps the only Catholic church in Chicago to be designed in this distinctively American Neoclassical style, with an imposing colonnade that brings to mind a bank or government building. This might have been intended to convey love of both God and country. The space is today the worship site for "the Parish that speaks five languages." Numerous shrines inside the otherwise restrained and elegant nave, lit through pastel stained-glass windows, celebrate this cultural diversity.
St. Thomas of Canterbury is perhaps the only Catholic church in Chicago to be designed in this distinctively American Neoclassical style, with an imposing colonnade that brings to mind a bank or government building. This might have been intended to convey love of both God and country. The space is today the worship site for "the Parish that speaks five languages." Numerous shrines inside the otherwise restrained and elegant nave, lit through pastel stained-glass windows, celebrate this cultural diversity.
Our Parish Soup Kitchen
The Soup Kitchen at St. Thomas of Canterbury was founded in 1978 by Catholic Workers who had been with Dorothy Day in New York. It continues to serve those in need of a hot meal every Tuesday and Friday evening from 5:30-6:30 PM. The Food Pantry, now run by Catholic Charities, provides grocery staples every Monday and Thursday, from 9:30-11:30 AM and from 1:30-3 PM.
Canterbury House
Canterbury House is a ministry of Mary, Mother of God Parish based at St. Thomas of Canterbury in Uptown. We are a Eucharistic community in service to the parish through prayer, outreach, fellowship, and Catholic social thought.
Canterbury House is building community through Eucharistic adoration, which feeds the soul, and relates to feeding the body through the soup kitchen and food pantry. We draw on the heritage of Dorothy Day, Peter Maurin and the Catholic Worker movement, following in the steps of the Catholic Workers who founded St. Thomas of Canterbury soup kitchen over thirty years ago. Our community is rooted in the Eucharist and service to the poor, recognizing the presence of Christ in both.
Canterbury House is building community through Eucharistic adoration, which feeds the soul, and relates to feeding the body through the soup kitchen and food pantry. We draw on the heritage of Dorothy Day, Peter Maurin and the Catholic Worker movement, following in the steps of the Catholic Workers who founded St. Thomas of Canterbury soup kitchen over thirty years ago. Our community is rooted in the Eucharist and service to the poor, recognizing the presence of Christ in both.
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Patron
St. Thomas of Canterbury (1120-1170), also known as St. Thomas Becket, was an Englishman of minor Norman nobility who was the boon companion and Chancellor of King Henry II of England. Hungry for advancement and power, Thomas became close to the old Archbishop of Canterbury and was ordained Archdeacon. However, it was as the King’s Chancellor that Thomas excelled, becoming one of the most ruthlessly efficient enforcers of the King’s tax and revenue laws.
When the old Archbishop died, Henry hoped to checkmate the power of the wealthy Norman bishops and abbots by making his friend and right-hand man Thomas Becket the new Archbishop. To Henry’s everlasting regret and rage, Thomas underwent a startling spiritual transformation upon being ordained a bishop and instead of rubber-stamping the King’s laws to get more wealth from a weakened English Church, he became a staunch defender of Church rights, property and honor.
Thomas, although warned by the Pope to tread wisely, rigorously defended the Church and clergy against the State and soon was at odds with Henry. Threats, excommunications and more threats from all sides led to Thomas fleeing England for the continent. When he returned in 1170, he was murdered during evening Vespers in Canterbury Cathedral by four of Henry’s knights. Such was the outrage and devotion of the people to their beloved archbishop that Pope Alexander III canonized Thomas almost immediately.
The icon of St. Thomas of Canterbury is by Chicago artist Joseph Malham. He is dressed in the red vestments and miter that connote martyrdom, and on his shoulder he holds a heavy broadsword (the knights killed him with swords). There is a small nick in the sword that shows the ultimate failure of the temporal City of Man to overpower the eternal City of God. On his miter are seven blood red stones representing the Seven Sacraments, and on his chasuble are twelve stones representing the Twelve Apostles.
-From Joseph Malham's History of St. Thomas of Canterbury Church
When the old Archbishop died, Henry hoped to checkmate the power of the wealthy Norman bishops and abbots by making his friend and right-hand man Thomas Becket the new Archbishop. To Henry’s everlasting regret and rage, Thomas underwent a startling spiritual transformation upon being ordained a bishop and instead of rubber-stamping the King’s laws to get more wealth from a weakened English Church, he became a staunch defender of Church rights, property and honor.
Thomas, although warned by the Pope to tread wisely, rigorously defended the Church and clergy against the State and soon was at odds with Henry. Threats, excommunications and more threats from all sides led to Thomas fleeing England for the continent. When he returned in 1170, he was murdered during evening Vespers in Canterbury Cathedral by four of Henry’s knights. Such was the outrage and devotion of the people to their beloved archbishop that Pope Alexander III canonized Thomas almost immediately.
The icon of St. Thomas of Canterbury is by Chicago artist Joseph Malham. He is dressed in the red vestments and miter that connote martyrdom, and on his shoulder he holds a heavy broadsword (the knights killed him with swords). There is a small nick in the sword that shows the ultimate failure of the temporal City of Man to overpower the eternal City of God. On his miter are seven blood red stones representing the Seven Sacraments, and on his chasuble are twelve stones representing the Twelve Apostles.
-From Joseph Malham's History of St. Thomas of Canterbury Church
